Exhibiting typical Victorian superiority, the 19th century writer Emily Gerard, from her own experiences in Transylvania, makes a similar observation:
"From an artistic point of view these Saxons are decidedly an unlovely race. There is a want of flowing lines and curves and a superfluity of angles about them, most distressing to a sensitive eye. The women may usually be described as having rather good hair, indifferent complexions, narrow shoulders, flat busts, and gigantic feet. Their features, of a sadly unfinished wooden appearance, irresistibly reminded me of the figures of Noah and his family out of a sixpenny Noah’s ark. There is something Noah’s-ark-like, too, about their attire, which, running entirely in hard straight lines, with nothing graceful or flowing about them, no doubt helped to produce this Scriptural impression. The Saxon peasant is stiff without dignity, just as he is honest without being frank. Were the whole world peopled by this race alone, our dictionaries might have been lightened of a good many unnecessary words, such as elegance, grace, fascination, etc.
Of course, now and then one comes across an exception to this general rule and finds a pretty girl, like a white poppy in a field of red ones; but such exceptions are few and far between, and I have remarked that on an average it takes three well populated villages to produce two bonnie lassies.
The men are on the whole pleasanter to look at than the fair sex, having often a certain ungainly picturesqueness of their own, reminding one of old Flemish paintings." - The Land Beyond the Forest
Bram Stoker read Emily Gerard's book and used it as a source when writing Dracula. It is likely that her assessments here have influenced his own portrayal of Transylvania.